He may have been beaten out of sight by Robson & Jerome, Wet Wet Wet, Lionel Richie and Unchained Melody , but Chris De Burgh was the undisputed star of Channel 4 s Top 10 Hits: Love Songs. BARRY GLENDENNING reports.
OR, IF you prefer, a very long album about love.
69 Love Songs does exactly as it says on the tin – it’s a 3CD set of pop sonnets by workaholic wonderboy Stephen Merritt, originally conceived as a 100-song revue to be performed by a cast of singers in the hotel bars and cabaret spots of New York.
With Lights Of The City, underground faves JUBILEE ALLSTARS have finally made the album they ve always talked about. And they re still talking about disappearing Dublin, real Irish pop, love songs, dinner parties and much more. words: EAMON SWEENEY. Star Charts: Declan English
The dark, romantic Raining Down Arrows is the latest milestone in the creative
liberation of Mundy, a man whose thoughts on love, friendship and connecting with the audience are at the core of his music.
While the voice isn’t quite what it used to be Bennett is still capable of weaving nostalgic magic as this collection of candlelit dinner friendly love songs demonstrates.
The former Eurovision entrant Chris Doran returns with a Don Mescall-penned song, and it’s the meeting of two similar-thinking minds. In that their thoughts were of Ronan Keating, Richard Curtis rom coms, cute puppies, and whatever else is required in making turgid love songs. It’s unfortunate it missed the Mother’s Day rush, but it may just have enough generic appeal to make an mighty impression on the charts anyway. Shame on us.
The subtitle of this album – Love Songs From Ireland – certainly conveys the impression that it is aimed at communities beyond these shores,including those whose experience of the genre is a twenty-second soundbite from Riverdance on American TV.
Swansong For You is the second ‘solo’ album of string-soaked and heart broken love songs from Isobel Campbell, cellist and songwriter with Belle and Sebastian.
Here's a suspect device: 3 Colours Red consider themselves a political and polemical band yet they only sound convincing on the (trite) love songs on Revolt.
Unlike many of his contemporaries, Hanrahan is prepared to go beyond the limits of cosy love songs to confront other issues, including the environment, loneliness and abuse.
If the name TINDERSTICKS is synonymous with images of grim-faced men in suits, peddling unbearably lovelorn songs of emotional destitution and heartbreak, then the Nottingham sextet have only themselves to blame. But, as frontman STUART STAPLES tells NIALL CRUMLISH, their new offering Simple Pleasure swops despondency for optimism with brilliant results.
Three-minute love songs simply can't cope with all the intricacies of a complex relationship, and inevitably veer off into angst-ridden cliché or syrupy feelgood banality. Dr. Millar, however, attempts to tell it like it is, and explains how and why to John Farrell.
Gemma Hayes tells John Walshe about playing the International Bar, singing with Guy Clarke, recording with Julian Lennon and how she doesn't just write love songs.
Joe Jackson talks to Paul Meade, director of Tom Stoppard’s The Real Thing , the hugely successful examination of sexual politics which is currently enjoying an extended run at Andrew’s Lane Theatre.
There are no saints in love. That’s a lesson The Frames’ mainman Glen Hansard learned the hard way – and which he articulates in the bittersweet love songs that make up much of the band’s new album The Cost. Hot Press hits the road with the band for an extended interview, conducted in radio studios, backstage areas, tour buses – and one very dedicated fan’s house.
He may be trained to kill, but recently James Blunt has been seducing vast swathes of the population with his poignant love songs. Lured to the Hot Press Chat Room, he tells all about his number one album, the Queen, being shot at in Kosovo and lesbian swim parties.
An Irish bouncer at closing time and a plague of frogs in America EAMON SWEENEY hears about the weird and wonderful inspiration for the new album from LOOPER
Country rockers Richmond Fontaine are back with their most accessible LP yet. Frontman Willy Vlautin talks about juggling music and literary careers, and his recent foray into racehorse ownership.
KARAN CASEY may be a folk singer, but don t classify her as easy listening . Her music is infused with radicalism and eclectism. She spoke to SIOBHAN LONG.
With a cracking new solo album on the shelves and a move to Paris on the cards, things are starting to happen for former Jubilee Allstars frontman Barry McCormack.
The task of exhuming a number of folk legend Woody Guthrie’s unused lyrics and setting them to music would be a daunting prospect for most artists – but not Billy Bragg, the self-styled Bard of Barking. The guitar-slinging socialist has teamed up with acclaimed US country-rockers Wilco to do just that. Interview: Colm O’Hare.
Following the success of her Mercury-prize nominated debut album, Gemma Hayes was struck down suddenly with writer's block. Her artistic recovery was a long, painful process, taking her from a sleepy Kerry village to downtown L.A.
For the painfully shy and private Ray LaMontagne, life in the spotlight is one of almost unremitting discomfort, and yet he hopes to last as long as Willie Nelson.
Almost unheralded, in "Raintown" Scotland's Deacon Blue have made one of the year's outstanding albums. Despite extensive critical kudos, however, the first two singles from the album - "Dignity" and "Loaded" - failed to make any inroads into the charts. A third single, the excellent "When Will You (Make My Telephone Ring)" looks as if it might enable Deacon Blue to prise open the door. Nevertheless the band must be perturbed at their relative lack of success to date.
This single off Perry Blake’s sixth album, Canyon Songs, is straight out of a country western film. Blake’s duet with Dervish vocalist Cathy Doran is backed by a hefty dose of slide guitar. However, the lyrics are nothing out of the ordinary. For listeners interested in getting to know Perry Blake’s work, exploring the rest of the album’s tracks may be a better bet.
Fresh from the success of THE DIVINE COMEDY in the Hot Press Readers Poll, NEIL HANNON drops his guard(s) for some candid talking on love, sex, aesthetics and the whole damn thing. Interview: JOE JACKSON
They looked great, played great, wrote great songs and, in PAUL CLEARY had a frontman with bundles of charisma. Yet THE BLADES never followed U2 into the stratosphere. On the occasion of the release of a retrospective set GEORGE BYRNE rewinds the tape
Happy in both her personal and professional life, DOLORES KEANE has learnt the wisdom of doing things for herself. Following the release of her latest album, Solid Ground, SIOBHAN LONG gets to meet her - at the second attempt.
RICHARD THOMPSON s new album Mock Tudor consolidates his position as one
of the most articulate and influential songwriters around. GEORGE BYRNE met him.
The Coronas were about a week into their 2008 American tour when they realised Colonel Kurtz was driving the bus. They can laugh about it now, oh yes. Sat around a table in the Library Bar on the eve of the release of their second album, the foursome – singer Danny O’Reilly, guitarist Dave McPhillips, bass player Graham Knox and drummer Conor Egan – are still young and hardy enough to take it in their stride.
Bob Dylan, Joni Mitchell, Van Morrison and Lewis Carrol may all be touchstones for the muse of sinÉad lohan, but this is one talented and increasingly successful singer-songwriter who definitely does things her way. joe jackson meets a self-confessed "spacer".
Pix: Mick Quinn
Lovely former Longpigs frontman and occasional Pulp guitarist Richard Hawley talks solo albums, Sheffield sauces and swears a lot, before offering a world exclusive on Robbie Williams. Sort of.
They’ve been heralded as the biggest thing in Irish rock since U2 – a prediction that proved prescient when The Script romped to the top of the charts with their debut album.
A House are really good! That s just one of the shocking claims Graham Linehan makes in this award winning article based loosely on an interview he did with the band.
JJ72 are being cast as the great new hopes of Irish music. Intense, passionate and melodic, their music has captured an increasing number of fans. With a single in the UK Top Thirty and a debut album about to hit the shelves, they tell NIALL STANAGE how good they are and how good they want to be. Portrait of the Artists As A Young Band: MICK QUINN
Private, reserved and self-controlled, Tanita Tikaram seriously wonders if there’s a place for her music in the world of frantic rock and frenetic rave. Interview: Joe Jackson
“All men are bastards” Country star trisha yearwood firmly believed – until she met the one who would become her husband. Here, she talks to Joe Jackson about how her marriage to Robert Reynolds of The Mavericks has changed the way she looks at the opposite sex. She also discusses her rivalry with LeAnn Rimes, and the darker side of the Nashville country ’n’ western scene.
Pix: Cathal Dawson
Craig Fitzsimons meets Jimmie Dale Gilmore, possessor of a unique high ’n’ lonesome voice and yet another great product of the Lone Star State who, belatedly, is
experiencing a modicum of stardom himself.
Watching David Bowie on television recently one couldn't help but think of Neil Hannon. Not that he is a musical "chameleon"—to use the phrase most often applied to Bowie—but he does seem to be a person more comfortable presenting to the world a series of ever-changing poses designed to conceal rather than reveal his "real self", as in vocally situating himself somewhere between Barry White and Prince on the magnificent Charge, or satirising—while still relishing—his role as the eponymous sexist hero in Becoming More Like Alfie. Strangely enough, Neil confesses that he was thinking something similar while watching Bowie being interviewed
PAUL BRADY has had an embattled career. In the course of it, he has made great music, won new fans and lost old friends. He has written powerful songs, locked horns with his record company, even contemplated quitting the business entirely. Now finally, he has come to new realisations about himself and about the enduring power of love. Interview: JOE JACKSON.
NO LONGER ANGRY YOUNG MEN, BUT STILL PRETTY PISSED OFF THIRTY SOMETHINGS, JAKE BURNS AND BRUCE FOXTON TELL STUART CLARK WHY STIFF LITTLE FINGERS REFUSE TO LAY DOWN AND DIE. PIX.: CATHAL DAWSON.
P.J. HARVEY's latest album, Stories From The City, Stories From The Sea will surprise listeners with its positive spirit and sheer lust for life. Hell, she even manages to get Thom Yorke to sound like Tom Jones! KIM PORCELLI meets an artist who has come in from the cold
Though he was busking in Grafton Street at 14, it s taken Glen Hansard more than a few shakes of the lamb s tail to reach the plateau of success which his songwriting talents have, for so long, threatened to take him but after the colossal success of Revelate , The Frames are, finally, set fair to enjoy their day in the sun. Here, Glen and guitarist, Dave Odlum, put Niall Crumlish in the picture.
Though he was busking in Grafton Street at 14, it s taken Glen Hansard more than a few shakes of the lamb s tail to reach the plateau of success which his songwriting talents have, for so long, threatened to take him but after the colossal success of Revelate , The Frames are, finally, set fair to enjoy their day in the sun. Here, Glen and guitarist, Dave Odlum, put Niall Crumlish in the picture.
If you’re Randy Newman you’ll also need a piano, some borrowed dominants and lashings of irony. And that’s just for starters. Joe Jackson hears about the private, public and musical lives of one of American music’s most singular talents.
From the early excesses of the Birthday Party through meisterwerks like The Good Son to his new release, Live Seeds, Nick Cave has spent nearly fifteen years probing those crevices of the human psyche that few care, or even dare, to venture into.
Here, in a highly personal, in-depth interview, Gerry McGovern grills the god of Goth about his ambivalence towards and obsession with religion, his love of dysfunctional people, his thoughts on the past and his hope for the future, oh, and how to reconcile life as an internationally renowned icon of doom with being a mummy’s boy! (Only joking, Nick!).
Running a marathon, writing the folk-pop equivalent of Dante’s Divine Comedy, buying a house, releasing the finest record of his career. All in a year’s work for Josh Ritter. John Walshe travelled to Boston to meet the young songwriter.
As suede prepare for their headline slot at Dublin Castle next month, their stock has never been higher, thanks mainly to the success of their fantastic third album Coming Up. craig fitzsimons talks to singer brett anderson about it and invites him to take stock of the last few wildly successful months.
Philip Chevron's career has been nothing if not varied. From the early days with the Radiators through his collaborations with people like Agnes Bernelle and right up to his current work with The Pogues, he has proved himself to be a consistently fine songwriter and performer. In the first part of a lengthy and intense interview, he talks to Eamonn McCann about his childhood, his love of Broadway musicals, the Horslips connection, the genesis of the Radiators and his fleeting career as a journalist.
Having learned her moves on RTE with AA Roadwatch, Drive and Live At 3, LORRAINE KEANE moved to TV3 in the role of Entertainment Correspondent. Here she talks about life, love, the media and what it s like to be the daughter of an Indian!
Interview: NIALL STANAGE. Photos: Colm Henry
What do Hope Sandoval, Liam Gallagher, Susan Dillane, Dr. Subranamian and Paul Weller have in common? They all guest on the new Death In Vegas album, as DIV’s Richard Fearless and Tim Holmes explain
Powerful evidence of both early experiences of racial prejudice and the premature ending of her relationship
with her father is still to be found in the work of
NINA SIMONE, one of the few artists alive who gives equal weight and force to the political and the personal. In this rare interview, conducted during her recent visit to Dublin, JOE JACKSON meets a lover and a fighter. Pics: CATHAL DAWSON.
Last year their Oh Yeah proved to be the star turn of the night, with Neil Hannon guesting on vocals. This year, they ve been nominated in three categories and are looking forward to Awards night with some anticipation. Tim Wheeler of Ash talks to STUART CLARK about that once-in-a-lifetime free CD, the upcoming HEINEKEN HOT PRESS shindig in Belfast and the new album the band are currently in the throes of making.
The angry young(ish) man of Irish preacher-punk is back, bleeding righteous indignation from every pore. Jinx Lennon tells us why it's time for a revolution.
They were one of the most successful – and dysfunctional – bands of all time. Now THE EAGLES are aging gracefully and packing out arenas across the world, with Irish gigs on the way.
From stardom with Westlife to the breakup of his marriage, and a subsequent attempt to kickstart his solo career, Brian McFadden had an extraordinarily eventful year. With his private life routinely splashed all over the tabloids and controversy currently raging over everything from his latest video to his admiration for Nirvana, he remains in the eye of the storm. In a candid interview with hotpress, he discusses living his life in the media spotlight, his decision to leave Westlife, drink, drugs, sex and the continuing fallout from his break-up with his wife Kerry.
ANI DiFRANCO is one of contemporary music's most impressive originals. Without compromising her independence or political radicalism, she has scaled the heights of commercial and
critical success. In this, her only Irish interview, she speaks candidly to NIALL STANAGE about TAFKAP, her battles with the music industry, American 'gun culture' and the troubled family life which lies behind one of her most moving songs.
Determined to establish a firm identity for their second album, A House forsook exotic locations and took themselves off to Inishbofin to record I Want Too Much, musically and emotionally their starkest statement to date. Bill Graham met up with them to discuss their new-found assertiveness and discovered a band with a single-minded approach to the music industry and its numerous pitfalls
He might have been a young Einsten but instead MARK OLIVER EVERETT ended up as EELS aka a man called E aka the Souljacker. PETER MURPHY discovers how it all went horribly right
While women are still far from achieving equality of opportunity in music, the last thing women artists want – or need – is to be ghettoised, writes musician and journalist Kim V Porcelli. The point about the women who are at rock’s cutting edge – from Sinéad O’Connor through PJ Harvey to Peaches – is that they defer to no one in their pursuit of greatness.
Fermanagh is a county that s accommodated a rake of musical traditions both past and present. Split by the sibling lakes of Upper and Lower Lough Erin, Fermanagh s musical identity is as diverse as her geography, to the extent that at times there s little or no crossover in musical style from north to south of the county and vice versa.
NIALL STANAGE sees GERRY ADAMS and EAMON DUNPHY fight out an honourable draw. Pix: Peter Matthews
They've been talking about it for weeks. Now the moment of truth has finally arrived. The sense of anticipation that has been building up over the past few weeks, around the impending clash of these two old adversaries, has been immense. It's been billed as the clash of the titans, the battle of the giants, the mother of all matches and even, extraordinarily, as the rumble in the mumble. Now the house-full signs have gone up, the touts are out in force and there's an air of
expectancy you could cut with a knife.
NIALL STANAGE sees GERRY ADAMS and EAMON DUNPHY fight out an honourable draw. Pix: Peter Matthews
They've been talking about it for weeks. Now the moment of truth has finally arrived. The sense of anticipation that has been building up over the past few weeks, around the impending clash of these two old adversaries, has been immense. It's been billed as the clash of the titans, the battle of the giants, the mother of all matches and even, extraordinarily, as the rumble in the mumble. Now the house-full signs have gone up, the touts are out in force and there's an air of
Our annual HP-7 summit brings together some of the pre-eminent movers and shakers in irish music to reflect on everything from backstage catering to the end of war, pestilence and famine. Your host: Stuart Clark.
Falling in love not only altered David Kitt’s heart but helped reshape his musical vision. Olaf Tyaransen visits his home cum studio and hears about the family affair that is his new album and how meeting Poppy reawakened his love of pop. all this and why the son of a Minister opposes the smoking ban! Photography Roger Woolman.
Eamonn McCann accompanies The Pogues across the sea to Scotland s centre of Irishness, Glasgow, and enters a complex world of fiercely divided loyalties, joyous celebration and soccer madness.
IN THE FIRST PART OF A WORLD EXCLUSIVE INTERVIEW IN THE LAST ISSUE OF HOT PRESS, BONO UNVEILED THE NEW U2 ALBUM, SPOKE ABOUT ITS GENESIS IN CYBERPUNK LITERATURE AND THE BAND'S HUNGER TO PUSH ROCK'N'ROLL TO ITS LIMITS. HERE HE ELABORATES ON HOW U2 GO ABOUT WRITING THEIR SONGS AGAINST THE BACKGROUND OF GLOBAL CHAOS, HIS ARTISTIC REFERENCE POINTS OUTSIDE MUSIC, THE SUBVERSIVE POWER OF HUMOUR, AND HOW HE ADMIRES THOSE WHO 'PARTICULARLY AGGRESSIVELY' DON'T BELIEVE IN GOD. AND THEN THERE'S THE STORY ABOUT JOHNNY CASH AND THE EMU. CAN THIS MAN BE FOR SURREAL? INTERVIEW:JOE JACKSON.
MIKE SCOTT once fronted the greatest rock n roll band in the world, but before the world got a chance to wake up to the fact he had gone west and invented raggle taggle. Now with a new Waterboys album, A Rock In The Weary Place, just released, Scott takes time out to reflect on his strange but true adventure. By PETER MURPHY
With the death of Johnny Cash two weeks ago, music’s Mount Rushmore finally crumbled. From the hell-raising country outlaw of the ’60s to his final incarnation as a patriarchal figure intoning songs of guilt and redemption, Cash’s voice resonated down through the years with undimmed intensity. In this special Hot Press tribute to the Man In Black, Peter Murphy talks to Cash collaborators Sandy Kelly and U2, and recounts the turbulent life and times of one of the most iconic figures in 20th century music
From dark age to middle age, Nick Cave is such a far cry from the blood-spilling junkie of rock legend that these days you’re likely to encounter him commuting to his 9 to 5. Except of course that his job is writing and making music, his new album is called Nocturama and there are, he admits, some sizeable blow-outs in the memory banks.
Eleven years on from their debut and New York avant-garde guitar manglers Sonic Youth have reached an ever-growing audience without compromising their ideals of integrity. Here, GERRY McGOVERN offers a personal testimony to their recorded output in anticipation of their appearance at Sunstroke '93.
SEBADOH, for so long the epitome of the slacker rock band,
seem poised to finally make the breakthrough.
NICK KELLY met them in Dublin only to be asked for cocaine,
and told that Kurt Cobain was so lame he killed himself .
Snow Patrol‘s Gary Lightbody may be the thinking woman’s indie sexpot, but with their new album Eyes Open going supernova all over the shop, the poor fella has no time to capitalise on his status, given that the only people he sees on a regular basis are his band and crewmates. With whom, he assures us, “penetrative sex is out of the question.” Also on the agenda: break-ups, infidelity, the Northern body politic, U2 and, of course, underpants.
When Mick McCarthy became manager of the Republic of Ireland, he enjoyed a honeymoon period as one of the Irish media s favourite subjects. But it didn t last long. Results fell below the grandiose expectations of a nation grown accustomed to success under Jack Charlton and McCarthy became a somewhat embattled figure. Now the team is fighting back and the manager is beginning to relax again, confident in his own ability to deliver. Interview: Stuart Clark. Main pix: The Star
From "Out Of Control" to "All I Want Is You", Neil McCormick presents a major critical retrospective on the complete recorded works of U2, the band who went from being one of the world's worst cover groups to become a leading force in modern Rock'n'Roll
No, it's not the overworked Hot Press subs finally snapping beneath the strain of a hectic production schedule but a finely argued debate by our finest writers on the phenomenon of naff. What is naff? Are you naff and if so how do you go about rectifying matters? Read on and be saved . . .
It is five years since rapper TUPAC SHAKUR was gunned down on the streets of las vegas in a gangland-style shooting that took place on September 7, 1996. Since then he has become the subject of one of modern music’s most bizarre death cults, as he continues to sell millions of records and to top charts all over the world. but behind his death lies a story of hip-hop babylon – a sordid tale of intrigue, egos, drugs, sex, intimidation, violence – and, almost by the way, some great and enduring music.
By PETER MURPHY
WITH HIS boyish looks remarkably preserved (despite the fact that he's approaching fifty) and his adenoidal vocals still intact, Jonathan Richman is still every bit the wide-eyed innocent who brought us the infectious garage punk of 'Road Runner' and 'Egyptian Reggae' over twenty years ago.
It seem Scott Heron’s move to Barcelona is having a profound effect on him. His last S+S LP was a cold, clinical corker, but the new offering from the Prefuse 73 man (he really is unfairly talented) is 14 servings of Spanish-flecked beauty.
Canyon Songs, his self-produced fifth studio album, sees him in typical downbeat mood, but there’s a subtle country tinge cropping up that might see him expand his loyal fanbase considerably.
The divergence between the rock and country press is interesting. For instance, John Wayne Army have variously been described by the rock scribes as “rockabilly trash merchants” and “deadbeat country”, though I doubt that the straight country press would understand what those labels mean.
The Thrills are reuniting with So Much For The City man Tony Hoffer on their third album, which is now at the demo stage and likely to hit the racks in late autumn.
Scottish band The Tannahill Weavers have been on the go for over thirty years now, and if they’d sounded a tad jaded on their sixteenth album you could have forgiven them. Happily, no such concessions are necessary.
Our appreciation of Scandinavian bands has, to date, largely been limited to the high profile pop of acts like ABBA and Ace of Base. But, as anywhere, there's usually more to it than that - a generalisation given real meaning by The Opiates' Anywhere.
With last year's Swoon Prefab Sprout managed to divide critical opinion into two distinct camps: those who regarded Paddy McAloon as a modern-day Al Stewart, self-consciously sensitive, a wimp, and others who felt that 'Swoon' was the glittering emergence of a major new songwriter. I'm firmly in the latter category.
Paper Monsters is pretty much what you’d expect from Gahan, who doesn’t deviate too much from the blueprint that has served both himself and the Mode well, although most listeners could have been forgiven for expecting more in the way of pomp and ceremony.
The BBC once described them as "the most successful British band since the Beatles", and they're certainly proving their worth as their reunion tour makes a new stop in Dublin.
Gone are the distorted kaleidoscopes of A Rock In The Weary Land, back are natural fibres, and if Wickham plays a subsidiary role, his high lonesome keenings are integral to the prevailing air of windswept ennui.
In spite of the numerous critical and artistic successes she has enjoyed since her defiant Heaven 17-led reincarnation in the ’80s, Tina Turner has never matched the frenzied assault of ‘River Deep, Mountain High’ with ex-hubbie Ike in 1966 – and she probably never will.
I HAVE to say that I have always loved Christie Hennessy’s material. Perhaps more than any songwriter working today, his stuff is the real deal, with no attempt at artifice or concealment. But that is not to say that his songs are not insightful, for he deals with a wide range of issues in his material, from loneliness to mental illness, and always with a sensitive hand.
"In dreams begin responsibilities" – is the Delmore Schwartz line that's been used by both Lou Reed and U2. But it doesn't quite suit the latest album from another member of their coterie, T-Bone Burnett.
It was a night of songs about drugs, guns, murder and love, rendered on acoustic, national steel guitar, decks, mandolin, and “the kind of banjo that scares the sheep in Donegal.”
Lamb’s fourth studio release cements their reputation for consistently brilliant and imaginative releases, begging two questions – is there anything they can’t make sound amazing, and if not, is it something it in the Mancunian water?
The latest instalment in Nashville floor-layer Kurt Wagner's project of fusing soul and country music is a disappointing affair that never quite lives up to its promise and only fleetingly recalls earlier triumphs.
If, like me, you never quite forgave the Beatles for calling it a day and never allowed yourself to get to know them properly ever afterward, this is what we were missing
For the most part, that's what this album is - simple rock 'n’ roll music, best heard whilst drunk and with your mates, however, they're still sounding a lot more melodic and tuneful here than they have in years
John Lennon is back but trust him to deflate the expectations that have been invested in his return. The message of Double Fantasy is that he and Yoko won't be anybody's heroes if they can't be each other's. This is a family album, Yoko's as much as his.
There seemed to be something distant and pre-occupied about Joan Wasser's banter, full of semi-comprehensible, possibly-stoned babble and peculiar random observations.
You could set your clock by him. Like some kind of agrarian song tiller, Will Oldham is a seasonal operator whose harvest falls every winter, January being market time. This year he’s gotten a little help on the farm from guitarist Matt Sweeney, and together they’ve come up with a batch of tunes that are by turns courtly, kinky and perverse.
Alice and Blood Money are Siamese twinsets written by Waits and his wife Kathleen Brennan for a stage production directed by Texan image alchemist Robert Wilson
On this outing he’s accompanied by a plethora of collaborators, as if his own reputation is no longer enough to hold things together, and some work and some don’t.
THE APPARENT cultural contradiction of a Norwegian country music singer dueting with an American singer/songwriter (who's based in Ireland!) is soon forgotten after a few spins of this album, which stylistically sounds like anything that might have come out of Nashville recently.
On paper this recipe should only work when disasters are the special of the day; take some down-your-throat production values, stir in guitars big enough to fill the most ravenous appetite, nourishing Led Zep drums, some unapologetic spice for the soul, hippy-dippy lyrics, bird song, Johnny Foreigners singing in strange tongues, lavish helpings of sitars and tablas, a telephone ringing, a bagpipe to taste, and, er, the kitchen sink.
Consider both the facts and the odds. It would be more likely that a torrent of frogs would descent from the skies to land on the Palace of Westminster and then pass through six floors down to the Parliamentary chamber to squelch upon Margaret Thatcher’s head that that King Of America would be anything other than an excellent album.
Matthew Sweet belongs to an honourable power-pop tradition in the US that is lauded in certain quarters but exists largely away from the gaze of the public at large.
The bad news is that this is a schizophrenic offering that will neither please Jennifer Lopez’s previous pop audience nor ensure her elevation to Diva status
Once upon a time, it was almost too easy to denounce Gabrielle as an anodyne chanteuse who simply got lucky with her radio-friendly hit ‘Dreams’ 11 years ago...
Hard to believe it’s almost ten years since the Belfast troubadour departed these shores for pastures new; first to live in rural Switzerland, followed by a more permanent move to Australia where he’s currently based.
*Well, it's 9th and Hannepin/And all the donuts have/names that sound like prostitutes/And the moon's teethmarks are/on the sky like a tarp thrown over this...*
Mundy belted into his routine with gusto – a considerably better effort than his Vicar St. performance at the beginning of the summer, where sound problems evoked tantrums and gnashing of teeth.
ANY ALBUM that devotes its opening track to the cross-dressing antics of cartoon character Mr. Benn must have something going for it and as 'Festive Road' takes you strolling through the leafy streets of sixties' London suburbia, it soon becomes apparent that what we're dealing with here is songwriting of a vastly superior quality.
Watching Steve Earle and The Dukes is like rooting for a nag you know has a shot at the cup if it would only get the lead out. I’ve seen this lot a few times over the last 15 years, and tonight was possibly the closest they’ve come to an all-out tour de force, yet there’s always the sense that they’re holding out on that extra ten per cent.
“I’ll bet it sounds like Simon and Garfunkel meets The Smiths,” sneered a friend as I headed deckwards with the cheap looking monochrome sleeve tucked safely under my arm.
This Cape Breton quintet have been on the road almost a decade now, and Uprooted finds them asserting their independence and hankering after the traditional Nova Scotian sound at one and the same time.
Ten Feet High is surprisingly playful, but in a serious way. For the most part, Corr and producer Nellee Hooper have fashioned a hybrid of high street pulses, airy melodies and acoustic chamber pop.
All Write Now, we said. And boy did you follow instructions! The entries poured in from all over Ireland, and further afield, in their thousands. We were snowed under – but, as the song says: That’s the way, uh huh, uh huh, we like it…
